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From then on, I cruised back and forth between the two stages, hearing many songs I didn't know by The Mars Volta (likely off of The Bedlam in Goliath, or maybe their new album, Octahedron, which drops next week), and parts of Hazards of Love, ...
Octahedron feels to me like work on the verge of something bigger, and even more epic. Not just the next Frances the Mute, but an even more challenging and thrilling level of sound and performance. This is what defines them as one of the few truly progressive bands to be called “Progressive...
Mon, Jun 22 | from neweraartist.com